Conventions are stressful affairs, fraught with peril and, usually, good things. It’s getting there that’s the trick. I typically attend my local comic conventions, SpringCon and FallCon, which are very specifically comics-oriented. There’s a cosplay section and artist’s alley for people who don’t do sequential art, but it’s almost entirely comics. Bliss, for someone with my particular interests.
Naturally, my favorite writer and artist in the entire world, Don Rosa, wasn’t going to either of those: he was going to Minnesota Fan Fusion – a convention with comics, people who recreate cars and props from TV shows, panels about Szechuan Sauce, and meeting people you pay ten dollars plus the cost of popcorn to see play pretend on a big screen, all of whom should really be a lot taller than they are.
Obviously, I was going. I got my career as a writer started with an interview with him, which was published in the English reprint of The Pertwillaby Papers and later used as the basis of the Greek edition of the book’s special features. The Coin is one of the best comic book stories I’ve ever read. I bought an Artist’s Edition of his work, despite the cost, just to read and admire the linework of The Life and Times of Scrooge McDuck – knowing it would take two more volumes to complete the saga.
The plan was simple. I would look at the guest list, look at my trade paperback collection, find the stuff they’d done, and ask for a signature (and head sketch from artists, but we’ll get to that later). I’d leave the boxes over at my cousin’s booth, easy as pie. Christopher Priest’s run on Deadpool, even at ten issues, is superlative – the Tom Cruise storyline alone is worth the price of the omnibus. Peter David writes so much I’m not sure the man sleeps. And Don Rosa, well, I have every published piece of his work available in English at this time.